I got four 120 seconds ISO 800 RAW frames. Better option would be to go for 60 seconds ISO 1600 and minimize tracking errors, stacking should eliminate noise anyway. Since pictures are taken under suburban sky, they are overexposed and have ugly orange background color. When we open them in Darktable default white balance preset is camera white balance and that looks like this.
Now we want to eliminate that ugly orange background and we switch from camera white balance to spot white balance.
If images were saved as JPEG, camera white balance would be applied, colors shifted to allow better compression and we won’t be able to do much processing. Before exporting images to TIFF, to export hit Ctrl+e, we will tweak exposure as on picture:
I export them as 16 bit integer per channel TIFF, if you do not know how to manage export settings it is explained in previous blog entries.
Now to do stacking I will open terminal and execute magic formula:
align_image_stack -a tif *.tiff
gmic tif0000.tif tif0001.tif -div 256 -gimp_blend 3,1,0 -mul 256 -c 0,65536 -type ushort -output one.tiff
gmic tif0002.tif tif0003.tif -div 256 -gimp_blend 3,1,0 -mul 256 -c 0,65536 -type ushort -output two.tiff
gmic one.tiff two.tiff -div 256 -gimp_blend 3,1,0 -mul 256 -c 0,65536 -type ushort -output tutorial.tiff
If you compare it with previous blog entries about G’MIC stacking you will see that new version of G’MIC is not completely backward compatible. Some people would maybe like to use DSS instead and that is also OK. Finally we open image in GIMP bump up contrast and LAB color decompose image. We duplicate A and B component, set copy mode to overlay and then merge them down. Do not flatten layers, there should be L, A and B layers. L layer can be slightly stretched or left how it is. When we LAB compose layers back into RGB image we will have nice saturated colors. Now, some people will proceed playing with curves but I will just add background gradient. I am not really using it as intended. I switch from divide to overlay and reduce opacity to 50%. That background gradient is part of astronomy plugin for GIMP by Georg Hennig and 2.8 compatible version is available from here git://gitorious.org/gimp-plugins-ambulance/gimp-plugin-astronomy.git. Building plugin is trivial. Here is result:
Complete damage control was done in Darktable in three straightforward steps and that is why I call it easy. If level of black was lower and and for example exposure was reduced only -0.5EV, we could further increase contrast and get more of that Flame nebula. Though it will be more fiddling in GIMP and may be not so simple as it sounds.
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